The Mythic Method: Classicism in British Art 1920-1950 at Pallant House Gallery Chichester PO19 1TJ

A major exhibition exploring how Modern British artists drew on classical myth and ideals in a ‘return to order’ following the First World War. Featuring playful and Surreal versions of Greek myths from the 1920s and 30s, idealised depictions of stylish contemporary goddesses, studies for ambitious mural schemes and classically inspired sculptures; the exhibition gives a fascinating new insight into how modern art met with tradition in an era of social and political change in the early 20th century.

Edward Krasiński at Tate Liverpool Albert Dock, Liverpool Waterfront L3 4BB

Sculptor, painter and creator of artistic installations and happenings, Edward Krasiński was one of the most significant Eastern European artists of the 20th century. In this first UK retrospective, learn more about Krasiński’s humorous personality, great sense of irony and how this influenced the art he created.

Yves Klein at Tate Liverpool Albert Dock, Liverpool Waterfront L3 4BB

Yves Klein’s (1928-1962) career was marked by extraordinary creativity. His bold attitude to art and life influenced later generations of artists and foresaw important artistic movements including pop, conceptual, installation and performance art. Presenting around 40 major works the exhibition throws fresh light on his artistic practice.

The EY Exhibition: Wifredo Lam at Tate Modern Bankside SE1 9TG

Discover the fascinating career of Wifredo Lam, one of the most iconic Cuban artists of the twentieth-century. Wifredo Lam’s distinctive style shook the assumptions of western Modernism. His distinctive paintings introduced the symbolism of his Cuban roots and defined a new way of painting for a post-colonial world.

The Book Beautiful: William Morris, Hilary Pepler and the private press story at Ditchling Museum of Art & Craft Lodge Hill Lane, East Sussex BN6 8SP

In ‘The Book Beautiful: William Morris, Hilary Pepler and the private press story’, we explore the influence that William Morris and his prominent Kelmscott Press had on the development of St Dominic’s Press. Included in the exhibition is the most prominent book to be published by the Kelmscott Press, The Works of Geoffrey Chaucer, designed by Morris and the leading PreRaphaelite artist Edward Burne-Jones (completed in June 1896).